11 August 2013

Studying the History and Evolution of the Social and Political Aspect of Hip-Hop Culture

A study by the University of Cincinnati-Blue Ash College involving hip-hop performers, writers, producers, and critics explores the growth of hip-hop from dance music to a social and political platform.

Hip-Hop and Rap Music has roots dating back to the early 1970's. Since its inception, numerous studies have been made on it. Scientists have studied the brain activity of performers and find that performers (most notably freestyle rappers) uses areas of the brain that control motivation, language, mood, and action during a performance.

Sociologists have also noted that young adults expand their vocabulary by listening to hip-hop music. Some words and phrases not found in mainstream language but are popularly used by young adults have roots in these songs.

The latest study focuses on hip-hop music and the culture as a social and political platform. They also trace the timeline and development as it evolves from a form of entertainment to an instrument for expression and change.

The Hip-Hop Soapbox

A new University of Cincinnati-Blue Ash College study explores the evolution of hip-hop from party music into a political platform.
Todd Callais, an assistant professor of sociology, criminology, and criminal justice at UC-Blue Ash, focused on the hip-hop industry because of its impact on society and because there is a clear timeline of its development.

"You can identify a beginning to the hip-hop culture that was fairly recent," said Callais, who will present his research at the 108th Annual Meeting of the American Sociological Association. "It started in the mid-1970s and the performers were primarily interested in entertaining and expressing themselves. By the early to mid-1990s performers began more consistently looking at hip-hop as a political opportunity with social movement implications."

He points to "The Message" by Grandmaster Flash as the first song by a major artist to address social issues and achieve widespread popularity. It highlights the social and economic barriers that force many African-Americans to live in poverty in the inner city and the frustration that results from these inequalities, Callais said.

Video: Grandmaster Flash & The Furious Five - The Message

Callais uses 1995 as the turning point for this shift when hip-hop truly evolved into a platform for social movement. For his research, he interviewed 25 people involved with hip-hop before 1995 and 25 who joined the industry after. These included performers, writers, producers, and critics.

"I argue that musical participation in itself can be a social movement, as opposed to the soundtrack for a movement that is already happening, like we saw in the 1960s," said Callais. "Hip-hop gives performers another way to reach and influence a larger audience. Many of the rap artists in the last 15 to 20 years identify themselves as being more overtly political in their efforts."

According to Callais, key figures in the rap industry today are leading a movement countering the mainstream rap stereotypes of violence, misogyny, and crime to help create a better image for rap music. The modern movement leaders ironically cite early hip-hop artists as their influences, even though these early artists may have lacked truly political intentions.


American Sociological Association
University of Cincinnati, UC Blue Ash
Expanding Vocabulary Through Hip Hop Music
The Science of Rap: Studying fMRI Brain Activity While Freestyling
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